That was early spring analysis. Alexey Konstantinovich Tolstoy. “That was in early spring…. You may be interested

"That was in early spring ..." Alexey Tolstoy

It was early spring
The grass barely rose
The streams flowed, the heat did not soar,
And the greenery of the groves shone through;

Shepherd's Trumpet in the Morning
I haven't sang loud yet
And in curls still in the forest
There was a thin fern.

It was early spring
In the shade of birches it was
When with a smile in front of me
You lowered your eyes.

Then in return for my love
You dropped your eyelids -
Oh life! oh forest! about the sun's light!
About youth! about hope!

And I cried before you
Looking at your face, dear, -
It was in early spring,
It was in the shade of the birches!

That was in the morning of our years -
Happiness! about tears!
Oh forest! oh life! about the sun's light!
O fresh birch spirit!

Analysis of Tolstoy's poem "That was in early spring ..."

The hero of Tolstoy's lyrics connects the image of resurrected nature with memories of distant youth. The work "" displays the state of mind, which gives rise to the feeling of the first spring warmth. Joyful excitement and cheerful dreams of youth, supported by pictures of the awakening of the living world, are replaced by sadness caused by thoughts of "past happiness."

A retrospective look at the events of youth is also presented in the poem of 1871: the depicted artistic space is separated from the position of the lyrical subject in the present.

The first quatrains, setting the meditative tone of the text, are dedicated to landscape sketching. The beginning determines the time coordinates of the lyrical situation - early spring. A clearly expressed theme evokes a complex of natural images: young grass, the first greenery of trees, deep streams. The original image of the fern leaves, which are metaphorically likened to curls, stands out from the general row. Landscape dominants are concentrated here, the structure of which is based on denial: the spring sun does not bring heat, and there are no loud sounds of a shepherd's horn.

In the third quatrain, there is a smooth change of theme - from landscape to love. The effect of naturalness is provided by the first couplet containing a refrain and a line about "shadow of birches". Describing the details of the natural world, the poet simultaneously points to spatial landmarks that serve as expressive scenery for a love scene.

In the second part of the text, the emotional intensity intensifies: the author's uplifting intonations rise to enthusiastic, expressed in a series of rhetorical exclamations. The episode is replete with reminiscences from the legacy of Goethe, who appealed to a similar stylistic device, depicting the spring delight of a soul in love.

A traditional, seemingly uncomplicated dating scene informs the reader about the details of the psychological portrait of a young couple. A declaration of love has just sounded, and he is on the stage, inspired, with tears of happiness in his eyes, and she, embarrassed, but greeted sincere words with a joyful smile.

Assessing the events of the past, the lyrical subject resorts to the formula "morning of our years", accompanying the metaphor with the already mentioned complex of exclamations. Admiration, selfless affection are complemented by light sadness and regret about the past spring of life.

Alexey Konstantinovich Tolstoy

It was early spring
The grass barely rose
The streams flowed, the heat did not soar,
And the greenery of the groves shone through;

Shepherd's Trumpet in the Morning
I haven't sang loud yet
And in curls still in the forest
There was a thin fern.

It was early spring
It was in the shade of birches
When with a smile in front of me
You lowered your eyes.

Then in return for my love
You dropped your eyelids -
Oh life! oh forest! about the sun's light!
About youth! about hope!

And I cried before you
Looking at your face, dear, -
It was in early spring,
It was in the shade of the birches!

That was in the morning of our years -
Happiness! about tears!
Oh forest! oh life! about the sun's light!
O fresh birch spirit!

The hero of Tolstoy's lyrics connects the image of resurrected nature with memories of distant youth. In the work "In the days gone by ..." is displayed the state of mind, which gives rise to the feeling of the first spring warmth. Joyful excitement and cheerful dreams of youth, supported by pictures of the awakening of the living world, are replaced by sadness caused by thoughts of "past happiness."

A retrospective look at the events of youth is also presented in the poem of 1871: the depicted artistic space is separated from the position of the lyrical subject in the present.

The first quatrains, setting the meditative tone of the text, are dedicated to landscape sketching. The beginning determines the time coordinates of the lyrical situation - early spring. A clearly expressed theme evokes a complex of natural images: young grass, the first green of trees, deep streams. The original image of the fern leaves, which are metaphorically likened to curls, stands out from the general row. Landscape dominants are concentrated here, the structure of which is based on denial: the spring sun does not bring heat, and there are no loud sounds of a shepherd's horn.

In the third quatrain, there is a smooth change of theme - from landscape to love. The effect of naturalness is provided by the first couplet containing a refrain and a line about "shadow of birches". Describing the details of the natural world, the poet simultaneously points to spatial landmarks that serve as expressive scenery for a love scene.

In the second part of the text, the emotional intensity intensifies: the author's uplifting intonations rise to enthusiastic, expressed in a series of rhetorical exclamations. The episode is replete with reminiscences from the legacy of Goethe, who appealed to a similar stylistic device, depicting the spring delight of a soul in love.

A traditional, seemingly uncomplicated dating scene informs the reader about the details of the psychological portrait of a young couple. A declaration of love has just sounded, and he is on the stage, inspired, with tears of happiness in his eyes, and she, embarrassed, but greeted sincere words with a joyful smile.

Assessing the events of the past, the lyrical subject resorts to the formula "morning of our years", accompanying the metaphor with the already mentioned complex of exclamations. Admiration, selfless affection are complemented by light sadness and regret about the past spring of life.

In the romance, Tchaikovsky used the techniques of dynamic rolling and combining words into single, uncensored waves. The main theme of the romance, its "super task" is the joy of the new life emerging in the hero's soul, caused by the spring awakening of nature. The heightened excitement of his spring experiences in the "morning of summer" is conveyed by the rising and falling waves of the musical periods. On the crests of the waves the leitmotif of the romance "that was ..." sounds. Already in the prelude to the romance, the theme of spring is heard - the theme of happiness. The wave of this theme, falling, is supported by a new analogous counter-wave, rising in another voice to meet the first wave. The singer's voice (“that was”) enters on a new crest of the wave after the spring themes, echoing and catching up with each other, fade into the prelude of the romance. "That was" sounds here on the rise of a musical phrase, and this phrase falls along the way with the words "in early spring, the grass barely sprouted." The words of this phrase do not have a caesura (pause) separating them, they sound in a single logical flow. And then this wave breaks up into two small phrases: "the streams flowed, the heat did not soar and the greenery of the groves shone through." The visual impressions of the hero are replaced by auditory ones. He recalls that at this time of spring the shepherd's horn is still not heard ("the shepherd's trumpet in the morning has not yet sang loudly"). But further, signs of early spring appear before the hero's gaze: a curl of a thin fern, a sprouting grass. A new tide of enthusiastic emotions is born in his soul. Already with the words “there was a thin fern”, a new musical wave begins to rise to the words “that was”.

Everything surrounding the hero, as if in passing, passes through his consciousness. Neither the curls of the fern, nor the flowing streams, nor the barely rising grass, nor the shadows of the blossoming birches, firmly stop his attention. He is completely absorbed in his happiness. The beloved girl, in response to his confession, “lowered her eyes,” that is, reciprocated his love. He cries, looking at her "cute face". The whole environment is just a side theme to the main theme of his happy love. The surrounding life of nature is contemplated by him through tears of happiness. Exclamations of "Oh!" (“Oh, life, oh, forest, oh, light of the sun, oh, youth, oh, hope!”), Everything shines and fluctuates in the rays of light. This is an impressionistic musical painting, and everything is ruled over and everything contains the words of the hero "that was ...".

It was early spring
The grass barely rose
The streams flowed, the heat did not soar,
And the greenery of the groves shone through;

Shepherd's Trumpet in the Morning
I haven't sang loudly yet,
And in curls still in the forest
There was a thin fern.

It was early spring
It was in the shade of birches
When with a smile in front of me
You lowered your eyes.

Then in return for my love
You dropped your eyelids -
Oh life! oh forest! about the sun's light!
About youth! about hope!

And I cried before you
Looking at your face, dear, -
It was in early spring,
It was in the shade of birches!

That was in the morning of our years -
Happiness! about tears!
Oh forest! oh life! about the sun's light!
O fresh birch spirit!

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Alexey Konstantinovich wrote these lyrical lines in May 1871. Its content shows that the author was sad, but happy. He tells us about the meeting with his beloved, talks about how they sat in the shade of birches and his beloved, with her eyes downcast, listened with bated breath, the poet's passionate confession of love for her .. And the world around them was so beautiful for the poet : forest, sun, youth, beloved smile. From the love that seized the author for the girl, he cried. In the last lines, he regretfully recalls his departed youth and everything that happened to him that spring. And this does not allow him to forget the young, fresh scent of spring birch.

The poet himself called this poem "a little pastoral translated from Goethe." However, this is not a translation. Tolstoy obviously wanted to emphasize that some poem by Goethe gave impetus to the creation of "That was in early spring .."

The poem is a cry from the heart. Here is both joy and pain from the understanding that this will no longer happen. The lines are very gentle and touching. From the very beginning of reading, a romantic atmosphere was created in my imagination: a pleasant aroma of freshness, young greens - everything is fine, everything comes to life. On winter days, these lines come in handy as never before, this is exactly what is so lacking.

Submitted by: Manaenkova Anastasia