Vistup Marcelo Gomes, who has spent his dancing career in native Brazil, at the Vistavi Chervonya Plyevichki in the whole rozi. Andrea Mohin / The New York Times

For the application of the representative of the corpse, one of the most famous ballet dancers in the theater participated in the American Ballet Theater for the purpose of engaging in sexual obscene sexual behavior.

Dancer Marcelo Gomez will be the premier at the American Ballet Theater and have performed two dozen rockies there.

“On the last Saturday, it became apparent that Mr. electronic items the head of the opikunskoy for the sake of the corpse Andrew F. Barth. - Theater of American Ballet, accepting negligent visits and innovation Cahill Gordon & Reindel L.L.P... For an hour, Mister Gomez will attend theater performances. "

Bart said that the transfer of the episode was not due to the transfer to the ninth or the number of members of the corpse and not to be tied with the "professional regulations" of Gomes.

Gomez did not receive any suggestions on the occasion of the announcement of the situation. Ale Liza Linden, a representative of Gomes, said by e-mail: “Infected Marcelo with thoughts. Win dyachny for pidtrimku, so we gave you strength, how you will give me the members of the family, friends and colleagues. At the moment, we have more comments. "

Gomez, who has thirty all the rockets at once, having spent his dance career in Brazil, is a native of the city. Vin came to the corpse of the American Ballet Theater in 1997, and in 2002 became the premier. The last time I was in the warehouse of the corpse, the 9th breast was about the ballet "Luskunchik".

Yak viconavets, Gomez is famous for his strength, scenic charm and richness. Also, he is a choreographer, and a documentary film "Anatomy of a Dancer" about a new background is planned for the New York Film Forum. offensive month... The director of the film did not give any comments on the drive.

Involved in obscene sexual behavior, hanging against Gomez, became one of the gangsters of those who were involved in obscene sexual behavior. last monthі they have won the popularity of research and development in such spheres of activity as cinema industry, technological development, fashion and community food. so called #MeToo the collapse also kicked in and the ballet; zokrema, Peter Martins, stretching out the New York Ballet for an hour and a half, engaging in sexual domination and violence.

Transfer - Svitlana Usachova

Nina Alovert

Podії ABT 2017 Summer.

Farewell performance of Diani Vishnevoi

"Who can the nobility at the word" parting ",
Yaka us rozluka maє buti "
- (O. Mandelstam "Tristia")

Diana Vishneva went to the corpse storehouse of the American Ballet Theater in 2005, when she became a ballerina at the Maryinsky Theater in St. Petersburg. For the whole season, Vishneva voiced her vision of the ABT corpse and danced two last vistavis - the ballet Krenk "Ongin" with the invisible partner Marcelo Gomes in the role of Ongin.

Ні, Vishneva is not on the stage. Vaughn will propose dancing on the stage of the Mariinsky and other theaters, Kevin Mackenzia, an ABT artistic director, send a request for an offensive rick, as a guest, to appear with a corpse on the stage of MET. We will be true, well, it will be so.

Diana Vishneva. Photos by Nini Alovert.

Ale "hto can nobility at the word" parting "..."

Otzhe, Diana Vishneva danced her last performance "Ongin" of the 23rd worm. At the end of the middle ballet in the middle of small, cardboard characters Vishnev and Gomez will be like two aliens. The stench danced on the іnshomu іvnі, nіzh the whole corpse. Tse buv is not a dance, tse bula їhnya mova, a tribute by nature, by my, like a stench, my thoughts were catching and feeling, mova, a high tragedy.

The whole performance of "Ongin" is only shown on the stage and on stage. For the whole unique scenic partnership, it is important and important to navigate the stage. For example, the other acti іmenin Tetyani Ongіn sat in the codend to play solitaire. Behind the arches, all the lack of blindness and gross violation of the decency and rules of behavior of that hour, admitted by the choreographer, with the anger of them, dread and act of staging in Russian happy performances. Acceptable for danist: Ongin come to the day before Aunt and sit down to play solitaire in the hall of the stage, in the foreground. And from the іnshy side of the stage to stitch Tetyan behind him. The choreographer has staged a mizanscene performance. Ale tilki viconavtsi nadayut їm sense.

Ongin Gomes thought about his share (about the show with Tetyana). Win guessing and shifting the picture, and taking it over, laughing, not bothering to wait for a fraction. And on the third side of the stage, Tetyana Vishnevy followed him and trembled in hope, joy and vision. To that, for Vishneviy-Tetyanya, who was assigned one to one sum, did not wink. Vaughn rozumila, for the very same time Ongin virishuє їkh life. It’s not just an act, but the whole ballet. Nothing in quiet vistavs was more important than the taut thread, yaku Ongin-Gomez, if deliberately, in a ruinous seizure, rushing to look after Olga. In the beginning of the act there will be one important moment in scenic artistes. Having killed Lensky on a duel, Ongin stood up and wondered at Tetyana. Aunt Vishneviy looked upright and snapped at our eyes. There was no more "little girl of timidity, zakokhanoy, common and simple". Insha Tetyan marveled at Ongin - maybutnya "the unapproachable goddess of the cold, royal Nevi". So I started the tragic final of the rest of the stage ballet.

Scene from vistavi "Ongin". Diana Vishneva and Marcelo Gomez. Photographer Jean Schiavone

About the vikonannya by dancers of the rest of the blow, it is important to get adequate words from our haunted life. Tse bulo sutsilne ridannya two souls in front of a breakup.

Ale in the theater nikoli performance is not similar to the previous one. So, in the last "Onagin", a special place is playing Tetyany and Ongin blows in the scene of Tetyany's dream. Tsey blows, how to fold from the foldable and non-handy pidtrims, the artists danced so, as if none of the folds did not get. Vishneva lit in the hands of Gomez - so the soul of Aunty was so happy that she could be lost: beautiful, happy, happy. Vishneva has reached the point in her creativity, if, to be built, there is no choreography for a ballerina between volodinnya, as she won’t be a snake and feel like it.

Scene from vistavi "Lady with Camellias". Diana Vishneva and Marcelo Gomez.

In the production of Ongin є Tetyana in її with a demonic blush, a conjurer and a conjurer, we have an unkind phantom who walk through the mirror. Ale in the rest of the performance is blowing uvi at the victorious dancers, appearing as a happy loving blow, for that Ongin Gomes is not a magician, but a zakokhanim. Chi bulo tse zyrano svidomo? Ledve. Tsey is blowing in the rest of the performances, having appeared with a short mitty of the happy kohannya of heroes, as it could have been.

Scene from vistavi "Ongin". Diana Vishneva and Marcelo Gomez. Photographer Jean Schiavone

Vishneva and Gomez danced at once a great repertoire, which developed from the classic and quick ballets. Vishnev and Gomes reach in ballets with a tragic zmist. There, de share zhorstoko, bezgluzdo, thoughtlessly ruin the life of the heroes. There, de heroes, priznacheni one to one share, most zhorstoko, bezgluzdo, mindlessly run. The creative union of Cherry and Gomes is a manifestation of the birth. The sincere connection of the heroes on the stage can only be made by the verses of Marini Tsvєtaєvoi:

Yak right і lіva hand -Your soul is close to my soul.

... Ale vikhor got up - and without a day she liedFrom the right - to the left krill!

The end of "Ongina" showed a dependence and another act: standing on the stage, a corps de ballet, wine-making, went to the premiere of the theater, tutor, Oleksiy Ratmansky, Kevin Mackenzia, conductor. With a bouquet of vyshov cholovik Diani Kostyantin Selinevich.

Everybody enveloped Diana, from the grate and from the hall they flew into the rooms. Let's take Marcelo viviv Dian to the ramp. The 23rd will be the last performance, one can, the last one - all at once. Singingly, the stench thought about tse. Diana was crying, going to the splashes, Marcelo having felt the posters even before the hour of the last blowing. Wept the gazes. The retirement of the heroes of the ballet, Aunt and Ongin, staged the tragedy of the moment for all.

Juvenile performance by Marcelo Gomez

20th worm on the stage of the Metropolitan Opera Marcelo Gomez, ABT premier, dancing Albert in the ballet Giselle. The look of the ABT corpse and the happy directors meant the 20th robotic, prominent dancer (dodam - the last prominent dancer in the corpse).

Scene from vistavi "Giselle".

Tse buv at bagatokh vіdnoshennyakh tsіkaviy performance. Giselle was purely and accurately danced by Stella Abrera, for her talent as a soloist, not a ballerina. Not about sposib, not about emotsiyi, not about contact with a partner. Gomez, in such a rank, leaning on himself on the stage in a love drama. I need to tell, viyshov from the twisted camp with the mastery of the artist.

Scene from vistavi "Giselle". Stella Abrera and Marcelo Gomez. Photographer Rosalin Pro "Conner

Viconavtsi roles of Albert interpret її in a reasonable way. At the first act, de on the basis of re-tensioning the count, the love of the villagers was encouraged, Gomez danced in the history itself: the red-count was enraged by the beauty of the Silskoy divchina, the newly arrived and the innocent and the home of the home Any love did not disappear in memory. The death of the dvchini, naturally, wicked into a new kind of guilt and kayattya. At the same time, he came to the storeroom with a bouquet of lily at another act.

The dancers have another actor є. The count can learn his love, you can come to ask for a test from a sweet little girl ... the decision is rich in what to lay down from the end of the first act, from the contact with the visitor role of Giselle. If Abrera’s dancer didn’t make any contact, then Gomez vibrated even more childish way for the viconavts: the whole act with revenge on Villis and Giselle won’t dance, like a stage, appeared to you in the fog of a night. I set off the price of the enemy, one hour at a time, get a natchet fear of mana, and again get bogged down in the picture, at the end of the kayatyam.

Tsikavim bulo the end of the ballet at the Viconne Gomes. Dancers at my glacial table were robbed of the film in a smart way. For three hours of Mikhail Barishnikov's, the messengers walked through the grave of Giselle with a bouquet of lilias, throwing away. Gomez took one note, walked into the stage, dropped to the knee and threw it in front of him, like saying goodbye to Giselle. Nichny nightmare is over, the count has hidden his guilt.

Marcelo Gomez. Photo by Nini Alovert

I whistled for the fate of Gomez. That evening, Win Buv at the Wonderful Dancing Form, Ale and Yak Actor Win Duzhe Viris for the rest of the rock... The comprehension of the actor is the result of a successful robot over the roles of Diana Vishneviy. All partners know that in robotics they are not happy and come from a partner not only in technical mastery of choreography, ale rosuminnya choreography, rosuminnya roles.

Gomes is a dancer from nature, emotional and overwhelming enthusiasm. I think that the robot from Vishnev has added some of the majesty to the situation on the stage, the majesty in a certain way.

The first step, as if to lay down, another step: standing on the stage, the corps de ballet, went to the theater premiers, a tutor, Oleksiy Ratmansky, Kevin Mackenzies, a conductor. All were enveloped by Marcelo, from the grate and from the hall flew into the rooms. Ale tse buv merry stop act! Tse bulo holy, juviley, haven’t brought any bags yet! Dyakuєmo tobi, Marcelo, for your mystery! Until the offensive performance, Marcelo!

(1979-09-26 ) (40 rocks)

Marcelo Gomez(Nar. 26 Veresnya 1979) - ballet dancer and choreographer of Brazilian promenade.

biography

Write an update about the article "Gomez, Marcelo"

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posilannya

Urivok, which characterizes Gomez, Marcelo

- Hi, ni, I'm getting sick, - said Vaughn, swiftly zupiniv slyozi, - I'm so happy! - Father and mother went to the room and blessed the named and named.
For the third day, Prince Andriy will be named after becoming a journey to Rostov.

Zaruchini did not bother, and no one bared about Bolkonsky’s bridling with Natasha; Prince Andriy was in the midst of it. Vin said, that it’s because I’m guilty of the reason for the line, then I’m guilty to bear the whole burden of it. Vin said that he had tied his own word to himself, but he didn’t want to tie Natasha and I needed freedom. I’ll see you through the pivrok, you won’t love him, you’ll be in your right to see you. It goes without saying that neither dad nor Natasha wanted a little bit about it; ale Prince Andriy poured on his own. Prince Andriy buvav a skin day at Rostov, altogether not like the naming of the beast with Natasha: win saying wi i tiluva tilki hand. Between Prince Andriyom and Natasha, during the day, the proposition has arisen, even earlier, close, simple, no more. The smells of nachebto dosi did not know one thing. First and foremost, they loved zgaduvati about those, as the stench marveled one on one, if it wasn’t anything, now they were offended by the stench they’d seen themselves with their own calls: those who hanged, now they were simple and weird. Something in the family saw the lack of happiness in the family with Prince Andrew; because she was a human being from someone else's world, and Natasha welcomed her family to Prince Andrew and sang everyone with pride, that it’s only necessary to be so special, but it’s the same, as it’s all, and you don’t have to be afraid of them. yogo. For a few days, in the family until the new sound and did not get upset, they were led in a new way of life, in which they took part. Talk about the state's dignity with the Count and about dress up with the Countess and Natasha, and about the albums and the canvas with Sonya. Some of Rostov's households were amazed at the time of Prince Andriy, and the first time he came to see him: both the visit of Prince Andriy to Vidradna, and the visit to St. Petersburg, and the similarity between me and I Natasha Prince Andriy, and the introduction in 1805 was made between Andriym and Mykolya, and they were also rich in signs of the fact that it had become, but it was marked as home.

The documentary film "Marcelo Gomez: Anatomy of a Dancer" is not only about the career of one of the most successful ballet dancers, but about his life in general, Marcelo is like a man.

Marcelo Gomez: Anatomy of a Male Ballet Dancer(2017, USA)
Directed by: Devid Barba, James Pellerito
Svitova premier: 45th Dance on Camera Festival (2017)

partner

Perche, my knowledge about Marcelo is a good partner. On the stage of wine, you will help your ballerinas syayati, do not get tired of marrying. The dancer is guilty of singing in his own, but dbati is not about his own, but about the dance. Pas de deux yak is one of the main elements of classical ballet - croc both, which can be shifted to French. At the end of Marcelo, it’s not easy to build, I’m going to talk about both of them for an hour or so. Among many small partnerships (including Diana Vishneva herself, and Marcelo was known for the first time, since Bulo is 17), who suggested that Marcelo was the most intelligent I love to show my talent and dance. Spravzhny prince, this is what the little girls do, after reading the Kazakhs.

The whole prince has a share of the trocha of Kazkov, he tells himself about himself, it is very important for a new mission and when you look at them. Marcelo was born in Brazil, in the town of Manaus, de and began to study ballet. For a Brazilian lad, it was a wonderful thing to endure: to stand at the verstat and play, replace that one with gratitude in football. At the school Marcelo was fooled, ale the seven of the yogo pidtrimuval. Having moved to Rio de Janeiro, I didn’t throw ballet, but in 13 years, I don’t know if I’m going to America to develop my health. Then he moved from the Lausanne Prize to the Lausanne Prize International Ballet Competition, having come to the ballet school of the Paris Opera and entered the American Ballet Theater in New York before becoming a leading soloist.

drama

The creators decided to introduce a dramatic line into the picture: the fathers Marcelo were separated, if the boy was wounded, and the boy was hurt. Our respect is to emphasize the whole moment, and the hero of the line does not repeat it once, but he doesn’t see the figure of a dad in his life. Daddy has never been on his first trip to New York, and Marcelo is encouraged to come to the concert in honor of the 20th birthday. The whole story is small and dynamic. In the beginning of the title, the father is still not welcome. In such a documentary film, it is necessary to create a line of sight, to witness a wider range of emotions and development of a dancer like a man.

Russia

I follow Marcelo, we go to St. Petersburg, to the Academy of the Russian ballet imeni A.Ya. Vaganovo. Russia is famous for its theatrical school, in the community of Russian dancers and directors are hotter in love. Barishnikov, Nuriev, Nizhinsky, Petipa - to see how little they know about ballet, singingly chuli and prince. Marcelo Gomez is known that the artists have infiltrated a new yak on a dancer, the stench gave him a kick in his youth and prodigate nadihati at once.

Film gives the opportunity to see the atmosphere of the theater, see the smell of the theater hall, feel like pointy artists descend on the floor. Bagatio has a lot of opportunities to play a ballet dancer live on the stage, and to record it is only one vykhid. Sound, cinema, recording of theatrical performances - not the price of cinema. On the other hand, the recordings, woven into the backdrop of the fabric, startling, quietly, how to just love ballet.

verdict

A tremulous story about those who need to choose their way and go on to the end.

In "Nezavisimaya" it has already happened, I will grow and now.

Chergovy season of the international project "Kings of Dance" started in St. Petersburg in the past weekend. The axis is already a rocky producer Sergiy Danilyan has taken on one stage of provincial light dancers: at an early hour, the participants in the Buli project, for example, Mikola Tsiskaridze, Roberto Bolle and Devid Hollberg. At the end of the season on the stage of St. Petersburg and Moscow, there are some recent "kings" Marcelo Gomes (Brazil), Ivan Vasil'ev (Russia), Denis Matvinko (Ukraine), and "Infanti" Frideman Foginaela (Nіnfanti)

If the artist is asleep for belonging to the other verses of the dance suspension, so how to show it, then the repertoire, which in the first place falls into the viconuvati, does not enter the golden fund of choreography, I would like the author for two third reasons, ...

The beneficiary of the ninth project in the whole sense, crazy, є Marcelo Gomez. Introduce the evening of the yogi tvir "Tristesse" (fr. - sadness, melancholy) to the music of Frederic Chopin, but behind the motives of the works of the French poet Paul Eluard. Cholovik padekatr on those loves, cholovic friendship, supernatural and divinely allowing the skin from the participants to immediately recognize their zones of prominence: so, Ivan Vasil'ev, traditionally promises for the females, Denis is soft plastic.

Varto, for all intents and purposes, Sergiy Danilyan first took part in the project not only dancers, but the first musicians: Andriya Gugnin (piano), Charles Young (violin) and Juana Pablo Jofri (bandoneon). Other appearances of yakraz і vіdrіva squeamish solos on bandoneons, like Herman Corneho vikonuє their number "Transcendence" (English - perevaga), which does not care about the name of the performance of an artist, unprecedented I am choreography.

Solo from the ballet "The Great Guts" by Dwight Rodin, victorious Denis Matvynok, technical capabilities Denis Matvynok himself, an artist of the virtuosic, popular short dance material.

Warehouses and arrangements by Marcelo Gomez "Paganini" number under Charles Young's accompaniment can be easily brought to the success of the project. As a choreographer Gomes, we will give vitality to humor and master minds and practically seamlessly acquire elements of classic and adventurous choreography, and as an artist, he is hostile in the purity of the dance position of the sculptural art.

And the axis number "Mopey" (English - sumny) of the choreographer Marco Hecke at the Viconne Fridemann Vogel, navpaki, inappropriately having taken care of the flow of the choreography, sniffed into how they could not see the vitality of the ballet premiere. Mabut, spratsyuvala rule: "Yak vi choven call ..."

To reach the great tvir of Patric de Bana "Labyrinth of Self-Reliance" from the victorious Ivan Vasil'ev to be included in the program of the project is not yet the first risk, and it’s unknowingly to blame for the mischievous success of the spectators. with their abilities to the needs of the publication. Albeit unimpressed on the tse, the "Labyrinth" of self-reliance of vikonaniy їm all with more relish, not earlier, and more matured in the interpretation of the image could bring it to the end of the same choreography. Only those shkoduvati, who are looking, who came to the Mikhailovsky Theater on the premier day, didn’t start the announced earlier tvir of Ivan Vasiliev himself with the instantly new and intriguing name “Smak of Love”.

For the sake of glances, they showed another traditional number for the project by Marcelo Gomes - "KO`d" to the music of the Canadian dancer and composer Giyom Kote, before the speech, the participant of one past seasons in the project. A casket without a secret, a decorative and vitrified number, nagaduє, however, about those, which with rocks, the shape of the project is more and more worn over the zmist.

If the material went wrong, it became evident that the injury of the colin crossed Ivan Vasil'ev's tour with the other "kings". At St. Petersburg's, he has extraordinarily replaced the young premier of the Mikhailovsky Theater, Viktor Lebedov, and the axis of Moscow's gazes to play on the stage of the Musical Theater. Stanislavsky and Nemirovich-Danchenko, who has been a participant in the project more than once, is Leonid Sarafanov, an artist for the sake of the world, who is Volodya's philosophical technique and the bezel-less radio manner of showing.