Ballet anna karenina short zmist. Ballet "Anna Karenina" at the Great Theater. Performances in the first places of Russia

Vistavi Boris Eifman is uncomfortable to dislike such, the stink of tsikavi and tsikavo vigadan - ich you may not love deprived of a highly theoretical rivn, "yak class", like ballet pop music, and a lot of "subtle ideas." So, slyly Eifman is a tse of pop. The price is not ballet, soon a dramatic theater, but only victorious and differently choreographed. Aleksandr Eifman's choreography is always directorial, and the drama of the stage is not uniformly given priority over plastic formalism. Eifman of his dance history is so great at seeing, that the viconauts do not expect to come to the necessary stage - this is a problem in yogi ballet є, take it into account, it was earlier that I was in the eyes of St. Petersburg -go (there are as many as ten times that), at the great jubilee evening in the Oleksandrinsky Theater, dedicated to the 50th birthday of the choreographer. Witness, "Anna Karenina" and technically the viconana is even more hostile, the corps de ballet itself, the viconauts of the three head parties of the garnie, especially Vronsky - zealous, why Karenina just won I'll take a look at the first. I wouldn’t be happy, yakby Karenin didn’t stand up ... But Eifman doesn’t go so far beyond academia.

Ale all the same, Eifman tsikaviy not with choreographic bloodlines - he is in front of a conceptually mischievous director, and then - a talented choreographer. The vidminna connection - at the promenade of the light in the middle of the dark stage, the boy, Sin Kareninikh, fight with the little locomotive, ride it on the line of the game, and at the end of the first act in the middle of the day, there is no honor for God in the end and dramatic performances, and cinema screenings. Miraculously, the scene of Annie's narcotic hallucinations is vividly seen - the visualization of an instant and of erotic fantasies and nightmares. At the same time, musicians were selected - from Tchaikovsky, from the Kazakh ballets, “Romeo and Juliet”, “Romans and Romans” - Eifman, alas, is far away from the Tolovian first-timer, vin shvidshe I-Juliet Pavlo I revisited my plastics on the history of Russian Hamlet. At the end of the day, the image of Karenin is specially transformed - in Eifman Karenin is not an entanglement of social evil, but a jealous man, who can love and suffer. In the whole context and music of Tchaikovsky, і Shakespeare's associations, і ball-carnival tllo, on which the head confrontation is taking place - pre-river absolutely harmony. And yet about the important conflict for Tolstoy with the suspenseful morality, Eifman still does not forget; On the platform, falling into NATO, it’s like a clay and nothing to grind її, and if it steps apart, it’s just carried through the catch of the corps de ballet to the top, right up to the proscenium and the hall for the gazing.

I was thrilled to get ahead of the news about the musical "Anna Karenina" by a small front page. Also, be careful: as soon as you put it on before the end of the show, if it is important to endure criticism, and especially, if you do not think about it before the production, please give it a term and read the reviews by the authors of the authors. Without my writing you will wonderfully get away with, and your nerves will be whole.

Well, the season of musical premieres kicked off. I especially saw it "Anna Karenina"... Actually, I didn’t have enough time for the show before the official premiere (again, thank you all, who accepted it), and it’s not small, what a warehouse I’m looking at. Tim was radish by the purchase of programs and the creation of the names of the artists, as the grapes of that day. Really, if I chose the date for going to the Opera Theater, I was especially careful, and thoughtfully, I didn’t reach the result.

One bad thing: I went back to school for those who weren't going to transfer Lev Mykolajovych to the musical stage. Accept from a wide range of vipad. We'll show you the bullets butt і (well, і yak miss about).

Ale, I still fearfully spod_valasya on the brightest. A raptom that rvone? .. It's a pity, not growing up. Already at the first stage, I formulated my thought about "Ana Karenina", as for that hour I did not change one iota: tse kapets.

Hi-ni, they went to the theater and smoked in front of the entrance, mamayuchis to come to you, I, obviously, chula pissed off many gazes. Ale the musical god їm judging, tsim unwavering і good to all.

I totally broke my head, as I wrote a message. Bo vsesyazhne: "Tse kapets!" - It's crazy, to convey the maximum of my feelings and emotions, but not the details. The Yakhidna Laika is close to another paragraph, and you can read the same advices in the text quickly. And then they guessed me about a masterpiece memorial to theatrical critic. Tsієї axis:

Shouting: "Eureka!" - I danced the tarantel and at once I start before writing a review for a general scheme ...

8 zhovtnya at the Theater of Opera has seen the premiere of the musical "Anna Karenina". Fans of the genre took a look at the species and savor the details of the action, and before staging, Alina Chevik gave her hand to the audience wonderfully.

Tsey director has his own unique style, which you can learn from the first. It’s true, it’s just okay, I’ll immediately want to see it: “That’s the same Chevik! ..”

From the performance to the performance, the most beautiful witches of the director will be transferred. Tse and і fіrmoі mіzanssenі, і uninhibited dances, і let the artists themselves shukati glibini rolі without the necessary director's grip from above. You can see the director: what is the fault of the bike, as if it’s already richly rocky in the same bulo namatsan the bottom of the gold, as it allows vikoristovuvati one and the same priyomi to joy?

It is possible to note the eager glances, how difficult it is to recognize, how I can see myself wondering today. Adzhe podibnі dances, dialogues and costumes wіn sposterіgє in all projects of Chevik. I can’t wait around with the respect. Think for yourself: there is a poster in front of the entrance to the theater, on which the name of the current performance is written. How can you read that it does not sound, how can I show it to you on the stage?

Crushed to a great robot , it is also necessary not to deprive the sight of the most distant staging lanka "Monte-Cristo" and "Count Orlov", but to place them in proper order for "Anni Kareninoja".

Okremo wants to make the material easy to feed. As soon as possible, to the theaters to go to the theaters of the publika, including the one who will take you to the temple of the mystery of the vipadkovo. And this means that the director does not want to rob the staging of the overwhelmingly chimerical and rearranged layering of plans.

Musical, yak vidomo, rozvazhalny genre. To that on the director, who tackles the sum of history from the tragic finale, there is a subtlety of visibility. It is necessary to allow the publication of relaxation and not too much of a blunder in the minds. Chevik can cope with such zavdannyam, zalishayuchi behind the scenes at the moment, as it is possible to treat it in two ways ... Abo just want to treat it.

At the result of Alina, she will set up a performance in the distance, which can be called the pinnacle of the mainstream without any doubts. Namatsani in the previous productions, those author's tricks have now become the main director's receptions. Chevik does not rush and does not carry out creative development. There, by the hand of the well-educated maister, generously from the Orunt of his own view of the decision, translated into publications.

Tsikava interpretation of p'usi allowed to play "behind the scenes" a larger part of Tolstoy's novel. It’s really, two years old for the musical - there’s a vuzki framework in order to hunt for all the intricate plot. To that in "Anni Kareniniy" we are encouraged to line up, as it is not possible to look at other details. And tse means, how to see those gazes, since none of them have read the novel, sound, how to see them on the stage.

It can be seen that the line of Levina and Kiti bewildering, and even the characters іnіnіmally mingle with the plot. I know I will allow myself to be oskarzhiti ciu tezu. Think for yourself: Levin's posture was overshadowed by the plot, how could you please the Peisan scenes with the living and blue sky on the screen?

І director, і author of the libretto - the innocent Yuliy Kim - know the rule for the musical: the public isn’t a nuisance, it’s not just dance do not clash, but in our hour we are welcomed to see it.

Skeptics can say that the performance of Wiishov is boring and uncivilized, and the final of the yogo is a transmission. Movlyav, the author was able to bring the story behind the house in such a way that he would like to re-look again and again, but "Karenina" was done. I know the pardon.

"Anna Karenina" is a chain of history, as it gives creators the ability not to deny the history of the kohan, but to smite the glances in the blitz of the 19th century, to dazzle them in the history of their homeland and to be press releases).

Mabut, the musical "Anna Karenina" is aimed not at the mind and hearing of the public, but at the same is not less significant - zir. Luxurious costumes (at the beginning they were familiar with the rule "Take the most beautiful from the past projects"), pompous decorations, how to transform (and there is a great number of times to see before the front performances), there are a lot of creaks in front of them.

As for the updated texts, it is impossible to ignore the author's attempt to convey the message to the publication as sensibly as possible. Most of the phrases are repeated several times, and for that the most important glance will understand what the hero is talking about.

Okrema praise - for trying words. Guess the phrase: "Patty for pickup". We all know that there is also a grip and a grip. Kim, on the other hand, does not touch the stereotypes;

I declare that, for Chevik, for Kima “Anna Karenina” has become a quintessential talent of the creator. Here it is a win to reach the singing absolute, for the sake of being authoritative to write texts for upcoming projects. Bo tse - peak, peak, Everest! ..

There is a similar picture to be hosted in the musical warehouses. The composer Roman Ignatyev wrote the helpless miraculous musicals, ale nareshty and vin priyshov to the point of being clever enough to spiral into the brightest in his creativity. To that, all the melodies from the "Karenina" are created by the Opera Theater, which is familiar to the permanent glances. The axis sounded notes from "Monte-Kristo", and the axis of the vilithium "Count Orlov".

Everyone knows that the glances, as a rule, are forcibly taken new for themselves. "Anna Karenina" is born as a child, and we know all the elements of the show.

Note the glances, well, musicals have a song even more, and for an hour the stench doesn’t carry the zealous messaging nagging - vinyatkovo aesthetically. The creators give us a maximum of opportunities to get in the music, and we will add a plus to those who know the melody well enough to vibrate from the back row. As soon as in “Monte-Kristo”, “Count Orlov” sounded so called “musical boyovichki” for an hour, then “Karenina” didn’t bother you in the sound stream.

Well, say, the melody of the musical is tedious. There are some faulty things, even in the hall there can be found and glances, as they spent a dreamless night, and at once there is a chance to quietly play up the sounds of "Karenina", how to play.

Summarizing everything said vishche, I mean, scho, madly, the interpretation of "Anni Karenina" spirne, ale my right isnuvannya. They didn’t finish much of the academy’s glances, but here it’s available that you can musically finish it to the classics. So, you can not read the novel and not marvel at the zhodny film, or be overwhelmed by the bids of heroes.

Nareshty, we were presented with another musical, insurance not for high-browed roses, but for a mass publication. І nay the price of politics the theater looks bright, At the same time, you can say that the hall of the Theater of Opera will be held these days, if you are giving "Anna Karenina".

I am singing, the show is rostatime from vistavi to vistavi, I want it to be bright, but a musical is a real diamond. It’s not marvelous, even before the end of Karenina they reported to such a monster genre, like Chevik and Kim.

And if a new project doesn’t come to the heart, then I’ll have time to please you: pies at the savory buffet.

Well, I am generously encouraged to bring my thoughts about "Ana Karenina" into the distance. The first time I watch the show for the next hour, it’s only in a daunting way, for a big penny, I’m re-insured on a card.

Ale є in musical Lanka, yaka is not just kind, but wonderful. I'm talking about artists... In addition, the project of the Theater of the Opera has won the actors' tops, which have brought the lifeless talented people into capitals. (Yeah, and the axis at the same time stinks by hearsay - they will read the praises of the vidgukiv and naively twist, so "Karenina" is cool ...)

I’ll tell you more: I’ll give a positive assessment to “Karenina” through the artists who have been borrowed from the list of artists. Kretinsky libreto with a daily plot, idiotic texts, the second and the smallest - fig. Actor is smart, and it was worth it.

And I dare to try to get the best of chic artists, as I can get a hit on a maximum of flat, unwritten characters (Skoda oh, oh-oh), I want not to shy Karenina on the brink of being shown at the center of Moscow.

Let’s tell you three stories about quietly whom she was backing.

Prince and Princess Shtcherbatski - V'yacheslav Shlyakhtov and Olena Soshnikova. Mіzernі rollers, within the framework of which hіba costumes can be painted. Aleksandr from the "food" culture Shlyakhtov and Soshnikov walk around in all their beauty. And so, they didn’t let me sleep - it’s deprived of the ensemble.

Count Vronska - Ganna Guchenkova. Some of them can be done by Hannah, let her play roles ... The character, like and all of them, not about that, who is the author of the libretto and the director (repeat not more phrases, you can do it yourself extravagantly) Ale is there and then Guchenkova. And that means that one is pleased with the hearing for the eye (dyakuyu - they were given the pleasure of Gunny's vocals).

Patty - Oksana Lisnycha. There is only one scene, which will be built from one song. I would write that it’s not the sense of such an impregnation of sense, yakby not the ones that Lisnich demonstrated. Appreciated me.

The manager is Maxim Zausalin. Lyudin, through a yaku dumka: "Tse kapets!" - it was transformed into: "Tse kapets і Zausalin". Not out of the unreported talent of Maxim. Just a yogo character is nibi іsnu in clear and ideally іnshіy vistavі. Axis є "Anna Karenina" is trivial, boring, zvychana, and є steampunk stage with a proprietor. The whole character is Mistsev Der Todd, the demon of Karenina. I don’t understand that Chevik bit it, if she didn’t put it in a moment. Ale hoch trokhi іnshe threw off on the razporadniki shmatochka, the beauty came b. Behind the supervisor of the tsikavo sposter, and in the eyes of the crowd of artists. It’s the same hostility, for a lot of projects that have been implemented at once by the people, one about one thing and one thing in one key. And here is such a Zausalin, like in his own wickedness. Zagalom, yakby not Maxim, I would vzagal, melodiously, I would just skip to the theater.

Princess Betsi - Natalia Sidortsova. Nicholas I can’t try productions, in which I don’t vikoristovutsya talent Sidortsovoyi again. From і to "Kareninіy" so - є, nachebto, character, but what's the point? Vaughn does not carry any kind of message. Natasha, slyly, the miracles are found everywhere, ale vibachte ... not on the scale of the role.

Stiva Oblonskiy - Andriy Oleksandrіn. Well, we’re here ... Oleksandrin will help me! I’m not lying, honestly! Nekhay grabbed a motor, ale all the same things looked cute. I slept badly. The same axis is the same for me as a novelty of theatrical performance.

Kostyantin Levin - Vladislav Kiryukhin. It’s also a role that you can easily wikidati. plot lines). Ale є і plus: you can just enjoy the presence on the stage of Kiryukhina, which is a spy. I want a character youmu yaskravish wanted.

Kiti Shcherbatska - Daria Yanvarina. The axis is one, but I will not be able to help it anymore. Maybe I got caught up in it. Alektorski didn’t overtake (why didn’t it zagalі? ..), but vocal natomіst pulled up to another act. Not a fountain either.

Oleksiy Karenin - Oleksandr Marakulin. It’s easy to write here, just for the first time, it means “there’s no one beautiful for Marakulinaaa”? Well, I’m talking about the talent and charisma of Marakulin, but the first time I’m talking about the intelligence of the libretto.

Oleksiy Vronsky - Sergiy Li. Tsilkom chic Vronsky at the assigned minds. Well, what about Li? So, go to the intelligence, there they have become with Anna at the end, since Vronsky speaks so screamingly about those who, you know, don't sound like they don't (we won't show anything similar on the stage). If we think of Sergiy Li at the musical, then it will definitely be wonderful.

Ganna Karenina - Olga Balyaeva. Edina Ganna, I am good enough for a yak (and I will not screw the axle). I will be happy. It’s a pity, libreto and then a bunch of pigs. Naygolovnіshe, the reason for the kidnapping for the trip is unreasonable, Ale Olga was breaking all her might, so that she could justify the ideas of her heroine. Tse bulo tied tightly and piercingly ... And the vocals ... Nasampere I dared to fit in with Hanny's parts for the strength of only Sidortsovy. Now I know - shy Bєlyaєvoi. The final song of Karenina is priceless. Here, it is obvious that it is melodiously like tsikava, stylistically seen from solving material. And if Olga was sleeping ... But I didn’t vibrate the musical darkness and lack of blindness, I didn’t want to marvel at it again, ale the goose bumps beat a pidstribe. Otzhe, if you want to rapt to marvel at "Anna Karenina", then rob the date of Bєlyaєvoi.

It’s just as well that we are being crammed with creative works called musicals. In some way, it’s clear that their shanuvalniks have a lot of things to find out - the same in great numbers. At the same time, Skoda, people who know and appreciate the genre, see "Karenin" true, sound the plus and see the pearls in the buy of the witches from Chevik.

And what am I? I’ll just be glad that the final song is not finished with the word “kokhannya”, but with the word “happiness”. Already the Evolution, I mean ...

PS. And I will not write about a live orchestra, I won’t write anything, but it’s a great plus, but I’ll get to the quiet gazes, like a good sound, but often a minus phonogram sound ... Maybe I’m deaf, I don’t talk.

Ballet for three acts.

Libretto by B. Lvov-Anokhin. Choreographer M. Plisetska (performance with M. Rizhenk and V. Smirnovim-Golovanov).

Dіyuchі lycea

Ganna. Vronsky. Oleksiy Oleksandrovich Karenin. Station cholovik. Kiti. Betsy. Tversky. Sergiy.

Tushkevich. Korsunsky. Makhotin. Princess Sorokina. Cavaliers at the ball. The officers on the strip.

Diya persha

The station of the Petersburg railway station. On the platform there is Vronsky, who has created his mother. Gann's trip to visit. “If she looked around, she might have turned her head. Blisky ... siri eyes friendly, respectful zupinilis on yogo disguises ... Raptom a number of people with overhauled accusations povz "- the station peasant carried a lot of people.

Ball. Sered dances - Vronsky and Kiti. "The whole ball ... for Kiti charming dreams of radio colors, sounds and rukhiv." Enter Ganna. Vronsky of grasping її will appear. Kiti "... bachila, how the stench was smelling at the same time at the same time ... The whole ball, the whole light, covered with fog at Kiti's soul ... Vona smelled it in to herself."

Zavіryukha. Ganna is bogged down in her thoughts. "The wind and the weather were torn and the need to start ... We didn’t just check the checks ... if you wanted to go and take away ..." "Vona looked around and saw Vronsky in the same wretchedness." In the case of yogo sticky, it is explained - "a mischievous drowning", blessed goodness, not inaccessible, zavzyat peresliduvannya. "The whole zhakh khurtovini has been built and wonderful now." Anna "... perelyakana and happy ..." Karenin will come to her. Vronsky and Karenin do something and coldly bow out. Karenin will donate the hand of Ganna and Veda.

Salon Betsi. Princess Betsi Tverska and the cholovik will receive guests. Tushkevich is right there. Light-heartedly curiously amazed at the ringing of Betsy with Tushkevich, more than he is shielded by decent nonsense. Enter Anna with Karenin. Vibravshi zruchu mit, Vronsky zupinyak Gannu: “Vi and I am for me alone. I don’t bach in front of calmness for myself, not for you. I bach the power of seeing, not often ... for I bach the power of happiness, what happiness! .. "I respect the prosperity of the beast for them. "The price is obscene ..." Vona see. "Oleksiy Oleksandrovich rozklanyavsya i viyshov". Vronsky knows to go to Anni. I know Lorgnette's dislike is directing on them.

Karenina's office. Karenin checks on the squad. Enter Ganna, "... bowing his head and playing with the brushes of his head." "... I want to guard you ... - zupinyaє її Karenin." Ganna is alone. "Good, good, good ..."

Vronsky's dream. Vronsky Volodya deprived one of his thoughts - about Anna. "... All the happiness of life, one sense of life is now known to the one who is bachiti and a little bit ..." How terrible is the post of posting a station man, how angry Hann is before the hour of the first creation. Throwing, Vronsky to bat Ganna, the yak came to the new one.

Hanna and Vronsky. "Those who may be more ciliated for Vronsky became viciously one rich life ... those who for Hanny were unhappy, hungry and more charming world happiness, the price of a boon would be happy." Annie was scared with a rozpach, sum'yattyam and trash.

Diya friend

Mushrooms. At the altans and boxes "... the whole courtyard, and the people ... The sea of ​​muslin, tulle, stitching, hairy that parasolok." Among the officers - participants of the ferry - Vronsky. "All eyes, all binocles ... beasts on the line to buy verniks ..." "Vona felt bitisya, yak spiymaniy ptah ... Oleksiy Oleksandrovich pidiyeshov to Gannie and give his hand with something." I can't stand it any more, I don't want to say something: "I love yogo, I am yogo, I can’t bear it, I’m afraid, I hate you ... Rob it with me, you want to."

Karenina's office. “Oleksiy Oleksandrovych didn’t think about it ... food about duel ... Having shown us nothing, I didn’t spend a wick, and a hand, on a new straightening, I didn’t wince, I didn’t mind If Anna “... I thought about those who would make the most of the cholovik, and the most fearful thoughts came”. Rishennya Karenina bulo: "... our life is lost, as it was before ... I need it ... but no light, but the servants could not call you ...". Hannah "... saw how cold it was, and how terrible a misery fell over her, as if she hadn’t cleaned up ... tse ... declared her nighirche." Anna and Vronsky is guilty “... prikhovuvati your kohannya, nonsense and deceit; і nonsense, deceiving, cunning і constantly think about those who are, if the addiction tied them up, the bully is so strong, how the stench of offense has forgotten about everything else, beyond your love. "

Annie's dream. “One dream may have been more accurate. I dreamed, how offended at once the bully and the choloviks, how offended they marnotrated their caresses ... offensive pachiti in the feisty visions of an evil man, who often dreamed about it. I zagged it, zagged it!

Anni's room. Having forgotten all the security, Vronsky comes to Karenin's booth. “... There’s no bachachi ... a swift crocus, who’s well settled down to the bigu, we’ll go to the family room. I don’t think, I don’t suppose that, in the room, there’s a lot of people, I’m getting used to it, and when I’ve become guilty of guilty people, I’m exposing my hands ”. Vronsky and Hanna opanovu one “... a thought about those who need to tell nonsense, and what is more, what is more beautiful. Throw it all ... and go to one of your kohannes ... "Karenin" ... shed one from the blue ... and Hanna and Vronsky went over the cordon, not having disassociated themselves ... "

Dia third

ITALY. “Vronsky with Anna ... came to a small Italian place, they wanted to settle down for a day ... Hanna in the first period of his excitement ... smelled an unproblematic, happy and relieved joy of life ... ... I was waking up in a spectacular dream, as one of them flew past Vronsky behind the cordon. " Ale step-by-step, all the pains start to work for the blue.

Palace ceremony. Present the order to Karenin at the court. Urochist ritual for the palace.

Chase Gunny out of blue. Anna would come to Karenin's booth to beat her up. Sergiyam is more likely to suffer from a needless grief. Ale enter Karenin. Ganna maє piti. Vaughn rose, well, the blue has eaten away. Look, an unbearable b_l shtovhayut Hanna on the divine vchinok - go to the theater, to the Italian opera, if all this suspension, if you know, well, “... meant ... . "

Theatre. The lodges have all the "color" of the Petersburg partnership. The diva and tenor are blowing on the stage. Hannah appears. The binocles and the lornetis are straight on her. "... Vona saw a sense of the people who were showing the bile of ganebny stovpa."

Rozpach Annie. Light, see for Vronsky, "... close for Annie." To torment the separation in blue, the anger of the suspension, the fear of consuming Vronsky's love. Y build up, how will it be done? “We didn’t go to the trouble, and then they were spreading out in the back ... Vona was jealous of him not for the woman, but for the change of his cohan ... she was jealous of him for the sisters, with the winners; then she was jealous of yogo to the explicitly divine, because of the fault of wanting, having made calls with her, to become friends. The first remaining jealous tormented the most, especially the one who was guilty ... having said, why, mother ... allowed her to be friends with Princess Sorokin. " Before Annie's inner glance, the “scene of the beast of a ganebny stoop” in the theater, and Karenin with Sergiyk, and nareshty, as a thought about the possibility of the greatest misfortune, is clearly the end of Vronsky's death. "I can’t think of a proposition, in which life it wouldn’t be tormented ...". “All is not true, all is nonsense, all is deception, all is evil! ..” “What if I didn’t die? ..” So, the whole idea was that one allowed everything. "So, die! .."

Death of Annie. "I raptom, having guessed about the cheated ludin on the day of the first creation with Vronsky, won’t be zerzumila, what a demand for robiti."

“I immediately into that wretchedness, as the middle between the wheels tied with her, won ... the carriage fell into my hands and fell down with a light collapse, while I was ready to get up at once, I sank on the wheel ... deceiving, grief and evil book, slammed yaskravim, now if not, light, illuminated all those who used to be in the dark, cracked, faded to fade and finally died. "

PERSHA DIA PROLOGUE

SALON I Stiva Oblonskiy zrazhu his squad Dollars with burials. Before Kiti Shtcherbatskoy, the pompist Kostyantin Levin will be matched, who is specially for all those who come to the place.

COME TO MOSCOW Anna Karenina traveled from St. Petersburg to Moscow to welcome the reconciled Stivi and Dolli. On the platform for Anna, check Stiva, and with her fellow traveler, Countess Vronska, Zustrichak sin Oleksiy. Anna Karenina and Oleksiya Vronsky represent one to one.

BALL
Levin ask for the hand of Kita and I will take away Vidmova. There is a world about Vronsky and is encouraged to feel the proposition of everything. Ale Udine Bazhannya Vronsky - I’m going to have a good time at the ball with Anna Karenina. If Ganna appears, all the respect for Vronsky is straightened only on her. Land ide in Kiti z-pid nig. Hanna rozumin, she became the cause of Kitty's overwhelmed hopes, and the ball was on.

TO SAINT PETERSBURG Vronsky drive to St. Petersburg, following Ganna. At the poizdtsi stench, it is closer to know one by one. Saint Petersburg's Anna Karenina has a cholovik Oleksiy and Sin Sergiy.

At Seli I
Otrimav vidmova, Levin will sit at his own wrist and a unique new light.

SALON BETSІ
Salon Betsy Tverskoy, girlfriend of Hanny, the scene of the show of the decadent Petersburg light. Poki trivayut welding Doll and Stivi, Hanna and Vronsky nasolodzhuyut chergovuyu zustrichchyu. If Karenin appears, then take the squad home to see him. Karenina has become an object for whips in the salon: Gannie has a name for Vronsky. If all are rosy, Hanna and Vronsky can no longer stream addiction. Kokhannya Vronskogo zmushuє Forget about Gann about being guilty of that lord for his lack of friendliness.

RACING Find light to be seen on strips. In the middle of the presence of Karenina, Oblonski, Bets and Countess Vronska. Annie's scream, having kicked Vronsky's fall from the horse of the herd for Karenin and all the attendant witnesses of the nervousness. Karenin vimagan is from Annie who made friends with her.

At Seli II Levin take care of the fate of the snowgrower. Pratsuyuchi all at once with his villagers, he forgot about the torment of love and to know a new sense of life. Kiti, scho changed, drove to the village. The stench of Levin reveals the dispute of souls.

AT HOUSE KARENINA Written by the people of Vronsky's daughter Anna perebuvaє at death. In this situation, Karenin forgives her superhero. Vronsky, who is afraid to be afraid that Anna will turn to the cholovik, try to try suicide.

INTERMISSION

DRUGA DII

ITALIA / RUSIA Vronsky with Anna in the ITALIA. Vona has deprived her of her kolishn life - for that number one son Sergiy. Vronsky, through her, having left Vyskov's quarters. The stench of nasolodzhuyutsya with a revelation of their happiness, ale, with no bar, Anna will start working for the blue, and the Vronsky bag for the svitsky suspension. Stink turn to Russia. It seems that Dolly resigned herself to her life, from the doorway of the zradik Stivo.

VESILLA Kiti and Levin knew one thing and become friends.

DAY OF THE PEOPLE SEREZHI
Take away from us Anna has seen Sina Sergia, who was taken by Karenin’s confidant, Lidia Ivanivna. It’s offensive to put the end of the child’s mother and soul. Anna and Karenin enter into a super-list, for which Hanna is divinely lost to be alone.

INDEPENDENCE I
Hanna Zlamana. Wonder at Vronsky's virginity and magnetize to drown out the bele and jealous of opium.

IZOLYATSIA
Vronsky prodovzhu nasolodzhuvatisya svitskim lives, and perelover Anna vishche suspіlstvo arrogant contempt and vidkidaє. Navit Betsy, if you are a friend, at once returned from her. Become jealous and take on obsessive forms. At the princess Sorokinaya, the yaku Countess Vronska gathered her blue maybutnyi squad, she wondered if she was a supernice.

INDEPENDENCE II / DEATH OF GANNY
It’s overwhelmed, Ganna was involved in being a link from reality. Vronsky її I can’t put down. Anna vmiraє.

Show short zm_st

Anna Karenina- ballet in three acts by Rodion Shchedrin. Libreto by Boris Lvov-Anokhin for the novel by Leo Tolstoy "Anna Karenina".

History history

The idea of ​​the root of the ballet appeared in Maya Plisetskoy in 1967, if she was familiar with the artistic film "Anna Karenina". Music to the film was written by Rodion Shchedrin. Ballerina zgaduvala:

“On the backdrop of the dramatic film“ Anna Karenina ”, in which I played the role of Princess Betsya of Tverskoy, a thought about choreographic engagement with Tolstoy’s novel became clear to the audience ... Music, as Shchedrin wrote before the theatrical film, was plastic. Її can be danced. Mayzhe all the images of the film is my internal dispute from the director of the film. For the perfect and generous in fluff and gunpowder, I cooked with Zarhi: that godlessly cut the music.
- Robitimemo ballet. Cycle in its own way ... "

The ballerina did not plan to stage the ballet herself. The first choreographer, Ihor Bolskiy, has turned out to be the best choreographer. The upcoming candidates were Natalia Kasatkina and Volodymyr Vasilov; Plisetska saw the interpretation as radical and she wondered how to stage the ballet herself. Vona turned up for joy before Valentin Pluchek, who had recommended to pick it up as a libretist Boris Lvov-Anokhin, as an artist - Valeriya Levental. Then there was the idea of ​​separating the staging process - Plysetskoy herself was going to be on the lines of Anni, Vronsky and Karenin, and the stage was going to be shown to the neighbors. They are the dancers of the Great Theater Natalia Rizhenko and Viktor Smirnov-Golovanov, who have already clearly declared themselves as directors of many television films-ballets.

On the eve of 1971 rock in the Beethoven Hall of the Great Theater Rodion Shchedrin gravel for the sake of the music of the Maybut ballet, and Plisetska and Lviv-Anokhin explained the idea of ​​the production:

“The preoccupation of engaging the images of Leo Tolstoy on the ballet stage is superbly important. How can I never forget the cleverness of the choreographic theater with the fiery realism of Tolstoy's prose?

For the sake of it, it’s a well-known genial experiment, like Sergiy Prokof’s shattered by opening the miraculous opera "Viyna that World", but the opera is not less intelligent, not just ballet.

Dearly rereading Anna Karenina, you can see how Tolstoy's realism can be transformed into a symbol with realism (Vl. I. Nemirovich-Danchenko's viraz), and even the region is accessible to poets of choreographic mystery. "

For the first orchestral run, on what will be the presence of officials from the Ministry of Culture of the USSR, behind the unofficial orders of the Ministry of Culture Є. A. Furtsevo ballet rehearsal was repaired - in fact, it was a ballet performance. Ale Plisetska and Shchedrin turned up for a message to the Secretary of the Central Committee of the Communist Party of the Soviet Union P.M.

Music rooms

1 Prologue

First act

2 Station of Mykolaivskoy zaliznytsia 3 Ball, cotillion 4 Mazurka. Solo Anni 5 Dance of the Gunny with the Chotirma Cavaliers 6 Bologa. Zaviryukha 7 Petersburg. Salon Tversky 8 Rozdumi Karenina 9 Karenin and Anna 10 Dream of Vronsky 11 Anna and Vronsky

Another act

12 Stribki 13 Start tops. Padinnya Vronsky from the horse 14 Underworld Annie's life 15 Khvoroba that dream 16 In the past to Italy

Third act

17 Intro Annie and Vronsky is blowing in italii 18 At the palace 19 Sounds from the blue and Annie's monologue 20 In the opera 21 One is from Vronsky 22 Final. Annie's Bend

Scenic life

Premiere at the Great Theater

Dіyuchі lycea

• Anna - Maya Plisetska, (along with Marina Kondratyova)
• Vronsky - Mars Liepa, (after Oleksandr Godunov, Boris Ufimov)
• Karenin - Mykola Faduchov, (alongside Volodymyr Tikhonov, Viktor Barikin)
• The station man - Yuriy Volodimirov, (alongside Valeriy Lagunov, V'yacheslav Ulagin)
• Kiti - Nina Sorokina, (later Natalia Sadikh)
• Betsy - Alla Boguslavska, (later Marianna Sadova)
• Tversky - Volodymyr Levashov
• Sergiy - Osip Tuninsky
• Tushkevich - Sergiy Radchenko
• Korsunsky - Andriy Petrov
• Makhotin - Vitaliy Vladikin
• Princess Sorokina: Ganna Fedorova
• The cavalry at the ball - Leonid Kozlov, Yuliy Medvedev, Andriy Silantiev
• Officers at the races - Vitaliy Vladikin, Volodymyr Nikitin, Mykola Fedorov
• In episodes - Tetyana Domashevska, Valeria Kokhanovska, Nadiya Krilova, Olena Matveva
• The stage "Italian Opera" will take on the fate of the soloist of the opera - Galina Oleinichenko and Anton Grigor'ev

Vistava passed 103 times, but the last vistava 29 and 1985 rock. Screening at the cinema in 1974 rotsi.

Performances in the first places of Russia

Production Designer - Mikael Melby, Video Designer - Wendel Harrington, Lighting Designer - Jorn Melin, Dramatic Concept - Martin Tulinius

The two-act version of the ballet gained popularity and was moved to a little theater in the world:

Dіyuchі lycea

• Anna - Egle Shpokayte, (along with Miki Hamanaka, Olga Konoshenko)
• Vronsky - Nerius Yushka, (later Anton Pyastekhin)
• Karenin - Vitautas Kujma, (along with Edwardas Smalakis)

Stage Director - Eugen Volinsky, Ganna - Marta Fidler, Vronsky - Maksim Voytul, Karenin - Wojciech Sliozak

Musical Kerivnik and conductor - Valeriy Gergiev

Dіyuchі lycea

Bibliography

• Tarakanov M. Christmas "Anna" at the ballet // Radianska culture.-1972.-15 worms
• Akhmadulina B. I dance a miracle // Literary Russia.-1972.-30 worms
• Genina L."Anna Karenina" // Radianska Muzyka.-1972.-№ 10
• M. Holy sight // Radiansky ballet.-1990.-№ 5
• Plisetska M. My ballet / /. - M: Novini, 1994 .-- S. 377-394. - 496 p. - 50,000 ekz. - ISBN 5-7020-0903-7.
• Kuznotsova T.// Kommersant Weekend: magazine. - M., 2010. - No. 9 April.
• Yakovlev Yu.// Kommersant Vlada: magazine. - M., 2010. - No. 12 April.
• Barikina L.// Russian newspaper: newspaper. - M., 2010. - No. 20 April.
• Krilova M.// New news: newspaper. - M., 2011. - No. 17 birch.

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Notes

Characters Screening Theatre іnshe

Urivok, which is characterized by Anna Karenina (Shchedrin)

- I don’t know why. Ale є cause!
Sonya zitkhnula and disconcertingly stole her head.
- Yakbi buli cause ... - popped out. Ale Natalya vividly interrupted her, interrupted.
- Sonya, you can't sum up in new, you can't, you can't, you mind? - shouted Vaughn.
- Do you love me?
- Chi to love? - Natasha repeated with a smile I regret the lack of strength of my friend. - Did you read the sheet, did you bach yogo?
- Ale yaksho vona ignoble lyudin?
- Vin! ... Innocent Lyudin? If you knew! - Natasha said.
- If it’s a noble cholovik, then he’s guilty of shaking his name, or else it’s back to you; If you don’t want to kill, then I’m breaking up, I’ll write youmu, I’ll say tato, ”Sonya said loudly.
- That I can not live without a new one! - Natalka shouted.
- Natasha, I don't mind you. І scho ti kazhesh! Guess about dad, about Nicolas.
- I don’t need anyone, I don’t like anyone, I don’t like anyone. Yak you smiєsh say, who is he ignoble? Hiba you don’t know why I love him? - Natalka shouted. - Sonia, go, I don’t want to cook with you, go, for God's sake, go: bachish, I’m suffering, - Natalka shouted angrily in a streamed, annoyed and soulful voice. Sonya burst into tears and vibrated from the room.
Natasha went to the table and, not thinking about anything, wrote that kind of princess Mar'ya, as she could not write many wounds. At a number of leaves, Princess Mary wrote briefly, saying that all the blamelessness of Prince Andrei, who reproaches the generosity of Prince Andriy, who, having given her freedom, may ask that I forget all and try not to blame in front of some yogo squad. Everything was so easy, it’s simple and clear.

At Friday Rostov, Mali yihati to the village, and the count at the middle of the trip was a buyer from his village.
On the day of the return of the count, Sonya and Natasha bully were invited for a great meeting to Karaginim, and Maria Dmitrovna was lucky. On a whole lot of Natalya's knowledge of Anatole, and Sonya remembered how Natalya was talking to him, I don’t feel good about it, and I’ve been caught up more and more for the whole hour, not earlier. If the stench turned to the house, Natasha felt the explanation for Sonya, her friend checked on the yak.
- Axis, Sonya, said funny fools about a new one, - Natalka said in a laggy voice, in a voice that seemed to be children, if they wanted to, they were praised. - We wondered about him Nini.
- Well, well, well? Well, what did you say? Natasha, I’m glad that you don’t hate me. Tell me everything, and the truth. Who said that?
Natalka took it in.
- Oh, Sonya, yakbi ti knew yogo so, yak me! Win saying ... Winn’t talked about those, as I have insulted Bolkonsky. Vіn zradіv, scho to lay down for me less vіdmoviti yomu.
Sonya went out of her way.
“Ale didn’t tell Bolkonsky,” she said.
- And maybe I saw it! Mozhlivo, with Bolkonsky everything is removed. Why are you thinking so nasty about me?
- I don’t think anything, I just don’t think so ...
- Shave, Sonya, you are all sound. Pobachish, yak vona lyudin. Do not think about ni about me, ni about new.
- I don’t think about anyone, you filthy things: I love everyone and all skaters. Ale scho me robiti?
Sonya did not give in to the lower tone, Natalka was turning to her before her. Chim rozm'yakshenim and vibrating buv viraz denouncing Natasha, tim serious and suvorish bulo denouncing Sonia.
- Natasha, - said Vaughn, - you asked me not to speak to you, I didn’t speak, now I’m gone myself. Natasha, I don’t believe you. Navischo tsya tamnytsya?
- I know, I know! - Natal interrupted.
- Natasha, I'm afraid for you.
- What to be afraid of?
“I’m afraid I’m going to save myself,” Sonya said in a loud voice, getting angry with what she’d said.
Denouncing Natasha, anger raged on her.
- I will ruin, I will ruin, yaknaishvidshe I will ruin myself. Not yours on the right. Not you, but mine will be rotten. Oblish, fuck me. I hate you.
- Natalka! - Sonia railed furiously.
- I hate, I hate! First Thy Thief!
Natalya vibіgla from the room.
Natalka did not speak more about Sonya and is unique. In the same viraz of the grasped welcoming, that evilness walked through the rooms, taking first for those, then for being busy and at the same time kidding.
I want yak tse bulo for Sonya, ale won, not staring eyes, followed her friend.
Ahead of that day, in what kind of maw the count turned, Sonya took care of, how Natalka was sitting all over the wounds of blya vіkna vіtalnі, not checking what was going on, and how she sounded like a sign to vіyskovol, who passed, what Anya took for.
Sonia felt more respectful to support her friend, and she remembered that Natalya Bula spent the whole hour attending a wonderful and unnatural camp (she felt out of place on the timid food, repaired and did not finish phrases).
Sonia gave tea to the girl, like a vichikuval and Natasha's door. Vona missed її і, having heard the beating of doors, knew that the sheet had been passed on again. With the first rapt of Sonya, it became clear that Natasha had a terrible plan for the ninth evening. Sonya knocked to her. Natalka did not let її.
“Come along with him! thought Sonya. Vaughn is good for everything. Ninya in її guise was especially harsh and dear. Vona cried, saying goodbye to her uncle, Sonya guessed. Wouldn't it be that good to go with him, but what about me? Sonya thought, now guessing at these signs, which clearly indicated what Natasha had like a terrible namir. “The graph is dumb. What about me robiti, write to Kuragin, vimagayuchi in a new explanation? Would you like to tell him to return? Write to P'Uru, as if asking Prince Andriy from once? Uncles are dumb! " Say to Mary Dmitriyvna, as she was so angry with Natasha, Sonya was getting thirsty. “Ale so chi inakshe, thought Sonya, standing in the dark corridor: now I’m instructed to bring you an hour to remember the blessing of the family and love Nicolas. Hi, I wish I’m not sleeping for three nights, but I’m not going through the corridor, I won’t let it go by force, I won’t let the hassle fall on the family, ”she thought.

Anatoly stayed for an hour to move to Dolokhov. The plan for the victory of Rostov is also for a few days of deliberations and preparations for Dolokhovim, and on that day, if Sonya, having heard Natasha's door beckon, dared to oberigati, and the plan of the mav buty of the viconias. Natalya about the tenth year of the evening went to Kuragin to the back Anok. Kuragin mav put її in a prepared troika and take it 60 versts all the way from Moscow to the village of Kam'yanka, before making preparations for cutting off, which is a mav to come out їkh. Kam'yantsi has a bully ready for delivery, as a small one can be taken to the Varshavska road and there, on the postal stink of mali, gallop across the cordon.
Anatoly Mav і passport, і rise in price, і ten thousand pennies, borrowed from his sister, and ten thousand, borrowed for Dolokhov's help.
Two testimonials - Khvostikov, a great punishment, who lived for the gris Dolokhov and Makarin, an ex-hussar, a good-natured and weak cholovik, who had a heartless love to Kuragin - sat in the first room for tea.
At the great office of Dolokhov, tidied up from the walls to the stele with Persian kilims, with interleaving skins and zombies, Dolokhov sits at the road beshmet in front of the opening of the bureau, on which lay rakhunks and packs of pennies. Anatole in his unbuttoned uniform walked from the same room, when he was seen, through the office at the back room, and the French lackey, because they laid down the rest of the speeches. Dolokhov rakhuvav pennies and wrote it down.
“Well,” he said, “Khvostikov needs two thousand.
- Well, give it, - Anatole said.
- Makarka (the stench was the name of Makarina), tsei unkindly for you at the water. Well, the axis is finished with rakhunki, '' Dolokhov said, showing him a note. - So?
- So, slyly, so, - Anatole said, who, obviously, having not heard Dolokhov and with a smile, did not go into new disclosure, marveling in front of herself.
Dolokhov shutting down the bureau and turning to Anatol with a sneering smile.
- And you know - throw a mustache: another hour! - having said vin.
- You fool! - Having said Anatole. - Stop talking fools. Knowing Yakbi ... Tse the devil knows, too!
“Throw right,” Dolokhov said. - I'll tell you right. Hiba tse zhart, how are you?
- Well, I know, I know? Pishov to bice! Huh? ... - Grimacing, saying Anatole. - The right is not up to your glassless zhartiv. - I win pishov from the room.
Dolokhov spitefully smiled happily, if Anatol viyshov.
- Wait, - having said to Anatol, - I'm not frying, I can tell you, go, go here.
Anatole knows he’s going to the room and, waking up to the middle of the respect, marveling at Dolokhov, obviously, he’s mimicking.
- Listen to me, I’m talking about it. What do I have fun with you? Hiba I'm so super versatile? Who knows everything, who knows the priest, who takes a passport, who does it cost a penny? All I.
- Well, good for you. Do you think I’m not a kid? - Anatol zitchnuv and ob_ynyav Dolokhova.
- I have helped you, but all the same, I am guilty of telling the truth: on the right it is not safe and, as a matter of fact, I am bad. Well, you will take it away, good. Is it okay to listen to it? Diznaatsya on the right, a lot of friendliness. If you come to the criminal court ...
- Ah! fools, fools! - Anatole grimaced again. - I'm talking to you. A? - I Anatole with this particular addiction (like buvaє in people who are stupid) to visnovku, until he stinks with his own mind, repeating that worldly, like he’s repeating Dolokhov a hundred times. - Even if I am tidy, I am virulent: as long as it will be unreasonable, - having said win, twiddling my finger, - I don’t see it again; Well, as it happens, it’s all the same: beyond the cordon, you’re not aware of anything, well, right? I do not speak, do not speak, do not speak!
- Really, throw it! You just know yourself.
- Get up to the bice, - Anatole said and, grasping the hair, viyshov to his room and at once turning and with the feet of the sows on the crystal close in front of Dolokhovim. - The devil knows the same! A? You look, yak fight! - Vin knocked Dolokhov's hand and priklav to his heart. - Ah! quel pied, mon cher, quel regard! Une deesse !! [O! Yaka nizhka, my friend, yaky look! Goddess !!] A?
Dolokhov, coldly laugh and shine with their garnim, zuhvali ochima, marveling at the new one, mabut want to have fun over him.
- Well, a penny to go, todi?
- Todi scho? A? - repeating Anatole iz shirim podiv in front of a dumka about maybutn. - Todi scho? I don’t know there ... Well, you talk silly! - Vin glancing at the year. - An hour!
Anatoly pishov at the back room.
- Chi soon wee? Dig here! - shouting win at the servants.
Dolokhov, having picked up pennies and shouted out to the people, to punish the tribute and drink on the road, go to the same room, and go to Khvostikov and Makarin.
Anatole is lying at the office, leaning on his hand, on the sofa, laughing thoughtfully and not just whispering to himself in his garry mouth.
- Come on, z'yzh, no-no. Well, wipy! - Shouting yomu from the room, Dolokhov.
- I do not want! - Vidpoviv Anatol, all the prodovuyuchi laugh.
- Come on, Balaga arrived.
Anatole went and went to the end. Balaga buv vіdomy tіykovy coachman, who is already rooted in the ranks of Dolokhov and Anatole, and having served him as his tricks. More than once, if Anatole's regiment was standing at Tver, in the evening bringing it from Tver, delivering it to Moscow for a sack and bringing it on another day at night. More than once I was driving Dolokhov out of the chase, more than once I was driving him with gypsies and ladies, as I called Balag. More than once, in a robotic fashion, they embossed the people and visitors across Moscow, and once they called them, they called them. Not one horse was driven by them. More than once they were beaten by them, more than once they had drunk the stench of champagne and Madeira, who loved him, and who knew more than one thing behind the skin, which kind of wicked people would have deserved Siberia for a long time. At their partying, the stinks often invaded Balaga, snorted yogo piti and dancesuvati in qigan, and more than one thousand of these pennies passed through his hands. Servants їm, win twenty times on the risk of risikuv in their lives and their own school, and on іхній robots having worn out more horses, less stench overpaid yom. Alevin loving, loving the whole shalena ride, about fifteen versts for a year, loving to throw the visitor and crush the walk around Moscow, and fly the whole strip through the streets of Moscow. Vin loving a little behind him, the wild cry of the p'yany voices: “Pishov! pishov! " Todi yak and so it is not possible bulo їhati shvidshe; loving the vinyagnuti sore on the shoulders of a peasant, who is not so alive, not dead, all the way around. "Spravzhny Panove!" thinking about